Four-valve AC receiver
with a built-in loudspeaker. Just like
the earlier Erres KY107 (1930-1931) it
was called "Singer on the wall",
or, in the French speaking part of
Belgium, "Le Chanteur au Mur".
Otto van Tussenbroek
Rigid
"Haagse Stijl" design by Otto van
Tussenbroek
(1882-1957).
The
cabinet is made of massive oak, decorated with
two semi-circular strips made of coromandel wood and with two round
openings sealed with brown speaker cloth
in the sides. The front, with brown
speaker cloth, is made of black crackle
painted aluminium (upper part) and steel
(lower part).
The
radio was also exported, i.a. to
Belgium.
In that case the brand name "Stokvis"
was used.
R.S.Stokvis Radio was part
of R.S.
Stokvis et Fils, 15-19
Avenue de Dixmude, Brussels.
There
are some differences between the Erres
version and the Stokvis version.In this export model,
a hatch is fitted in the underside of
the power supply block, behind which the
mains voltage of the device can be
changed by means ofmetal connecting
strips.The
Stokvis radio therefore does not have a
mains voltage tag.Furthermore, in the
Stokvis receiver, the capacitor block
was turned around, with the connections
to the rear, and the resistor panel was
also moved to the rear of the power
supply block.
The Stokvis radio does
not have a Philips license sticker but a
Belgian SBR-SEM license sticker.
The
rear panel consists of three parts: a
metal part with the word "Erres" or "Stokvis"
that covers the power supply section, a
silver-coloured cardboard part with
punched-out slotted openings, which
covers the middle compartment and a
metal part at the bottom with the word
"Radio".
The knobs from left
to right: primary tuning, feedback,
secondary tuning, wave length slide
switch (down:
medium wave, 200-600 meters and up: long
wave, 1000-2000 meters.). Both scales (0-100) are
illuminated by a bicycle lamp.
(6 V, 0,3
A).
Made by
Van der Heem & Bloemsma in The Hague.
Date stamp on the loudspeaker: September
1st, 1931. Date stamp on the
loudspeaker transformer of the
Stokvis receiverl: July 16, 1931. The
Stokvis radio also has a Belgian licence
label.
The chassis has a
connection for a gramophone as well as
the earth and antenna sockets. The
Philips electrodynamic loudspeaker 2044
is connected to the chassis with a
connector plug, so an external speaker
can be used as well.
In
1932 the radio was also released by
Lindeteves-Stokvis in the former Dutch
East Indies. This radio was altered for
shortwave reception (20-200 meters). In
that model the
slide switch has 3 positions. Up: 14-35
meters, down: 30-80 meters and
mid-position: 70-200 meters. Valves:
E428, E462, C453 and 1823. In 1933 the
"Deluxe" version was introduced with
extended short-wave (12-200 meters) and
with a Baker electrodynamic loudspeaker.
The original price of
the Dutch receiver was f 175,-; in
Belgium the receiver cost BFr 3100,-. The
version for the East-Indies cost f
240,-; the price of the Deluxe version
was f 250,-.
On the left, an
advertisement for the Belgian version of
the KY108
in newspaper "Le Soir" October
15, 1931.
They
seem to have used a picture of the
earlier KY107.
Listen to "Ich
bin ja heut' so glücklich" played by the
Amsterdam Friedmanns Band, recorded during a
competition for amateur jazz orchestras in
the Bellevue building in Amsterdam,
organized by magazine "Het leven" in 1931
Rear view of the Erres KY108 and
the Stokvis KY108
Back and side view of the Erres
KY108
Hatch
in the power
supply section
Setting
strips for the mains voltage
Settings
for the mains voltage
Bottom view of the chassis
Top view of the power section
Picture in an Erres leaflet, 1931
Advertisement for the former Dutch
East Indies version of the KY108 in Sumatra Post,
Saturday, October 14, 1933
An
Erres KY108 made for the former Dutch East
Indies, photographed by Prayudi Wibowo in a
museum in Djokjakarta, Indonesia.
The radio was owned by
the Indonesian national hero, Ki Hajar
Dewantara, writer of the manifesto "Als ik
een Nederlander was" ("If I were a
Dutchman"), written in 1913, a vehement
protest against the plans of the Dutch
colonial rulers to force the Indonesian
population to pay for the celebration of 100
years of independence from French occupation
of the Netherlands.
The pictures were made in
the museum dedicated to the writer.
The back panel and wave
length slide switch seem to have been sealed with red sealing-wax by the Japanese occupiers.